{"id":147816,"date":"2025-05-21T20:55:30","date_gmt":"2025-05-21T18:55:30","guid":{"rendered":"https:\/\/fabianpanisello.com\/en\/?page_id=147816"},"modified":"2025-05-22T02:04:30","modified_gmt":"2025-05-22T00:04:30","slug":"repertoire","status":"publish","type":"page","link":"https:\/\/fabianpanisello.com\/en\/repertoire\/","title":{"rendered":"Repertoire"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row row_height_percent=&#8221;0&#8243; back_color=&#8221;color-lxmt&#8221; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; content_parallax=&#8221;0&#8243; uncode_shortcode_id=&#8221;765112&#8243; back_color_type=&#8221;uncode-palette&#8221;][vc_column column_width_percent=&#8221;100&#8243; position_horizontal=&#8221;left&#8221; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243; uncode_shortcode_id=&#8221;187520&#8243;][vc_custom_heading text_color=&#8221;color-197533&#8243; text_font=&#8221;font-667281&#8243; text_weight=&#8221;300&#8243; css_animation=&#8221;alpha-anim&#8221; animation_speed=&#8221;700&#8243; animation_delay=&#8221;400&#8243; uncode_shortcode_id=&#8221;106779&#8243; text_color_type=&#8221;uncode-palette&#8221;]Orchestra repertoire[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;2&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; content_parallax=&#8221;0&#8243; uncode_shortcode_id=&#8221;100918&#8243; row_name=&#8221;obra&#8221;][vc_column column_width_percent=&#8221;100&#8243; position_horizontal=&#8221;left&#8221; gutter_size=&#8221;1&#8243; style=&#8221;light&#8221; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243; uncode_shortcode_id=&#8221;132463&#8243;][vc_column_text uncode_shortcode_id=&#8221;771557&#8243;]ASKENAR, Rubens \u00b7 Poema de sombras<br \/>\nBEETHOVEN, Ludwig van \u00b7 Symphony No. 1<br \/>\nBERG, Alban \u00b7 Violin Concerto<br \/>\nBERG, Alban \u00b7 Chamber Concerto<br \/>\nBERIO, Luciano \u00b7 Chemins IV<br \/>\nBERIO, Luciano \u00b7 Corale<br \/>\nBERIO, Luciano \u00b7 Sinfonia<br \/>\nBERIO, Luciano \u00b7 Requies<br \/>\nBIRTWISTLE, Harrison \u00b7 The Woman and the Hare<br \/>\nBOULEZ, Pierre \u00b7 Notations<br \/>\nBOULEZ, Pierre \u00b7 Sur Incises<br \/>\nCAMARERO, C\u00e9sar \u00b7 Klangfarbenphonie 1 and 2<br \/>\nCASHIAN, Philip \u00b7 Chamber Concertos Nos. 1 and 2<br \/>\nCENDO, Rapha\u00ebl \u00b7 Masse-M\u00e9tal<br \/>\nCHIN, Unsuk \u00b7 Graffiti<br \/>\nDE PABLO, Luis \u00b7 Raz\u00f3n dormida<br \/>\nDE PABLO, Luis \u00b7 Para\u00edso y tres danzas macabras<br \/>\nDE FALLA, Manuel \u00b7 El sombrero de tres picos Suites Nos. 1 and 2<br \/>\nDEVAUX, Keiko \u00b7 Arras<br \/>\nE\u00d6TV\u00d6S, Peter \u00b7 Steine<br \/>\nE\u00d6TV\u00d6S, Peter \u00b7 Triangel<br \/>\nE\u00d6TV\u00d6S, Peter \u00b7 Zero Points<br \/>\nERKOREKA, Gabriel \u00b7 Tramuntana<br \/>\nFEBEL, Reinhard \u00b7 Dispassion<br \/>\nFRANKE, Bernd \u00b7 VEIL (I)<br \/>\nHAAS, Georg Friedrich \u00b7<br \/>\nH\u00c4NDEL, Georg Friedrich \u00b7 Foundling Hospital Anthem<br \/>\nHAYDN, Joseph \u00b7 Cello Concerto in C Major<br \/>\nHAYDN, Joseph \u00b7 Symphony No. 101 in D Major<br \/>\nHENDRICH, Pawe\u0142 \u00b7 Hyloflex \u03b1\u03b2<br \/>\nHOSOKAWA, Toshio \u00b7 Violin Concerto \u201cGenesis\u201d<br \/>\nGAUSSIN, Allain \u00b7 Ann\u00e9es-Lumi\u00e8res<br \/>\nGRISEY, G\u00e9rard \u00b7 Partiels<br \/>\nLIGETI, Gy\u00f6rgy \u00b7 Atmosph\u00e8res<br \/>\nLIGETI, Gy\u00f6rgy \u00b7 Cello Concerto<br \/>\nLIGETI, Gy\u00f6rgy \u00b7 Piano Concerto<br \/>\nLIGETI, Gy\u00f6rgy \u00b7 Chamber Concerto<br \/>\nLIGETI, Gy\u00f6rgy \u00b7 Melodien<br \/>\nLIGETI, Gy\u00f6rgy \u00b7 Mysteries of the Macabre<br \/>\nLIGETI, Gy\u00f6rgy \u00b7 Hamburg Concerto<br \/>\nLUTOS\u0141AWSKI, Witold \u00b7 Symphony No. 3<br \/>\nMAHLER, Gustav \u00b7 Das Lied von der Erde<br \/>\nMAHLER, Gustav \u00b7 Kindertotenlieder<br \/>\nMAHLER, Gustav \u00b7 Symphonies Nos. 1, 4, 5, and 9<br \/>\nMARCELLO, Alessandro \u00b7 Oboe Concerto<br \/>\nMARESZ, Yan \u00b7 Eclipse<br \/>\nMARESZ, Yan \u00b7 Entrelacs<br \/>\nOLAVIDE, Gonzalo de \u00b7 Alternante<br \/>\nORTIZ DE Z\u00c1RATE, Juan \u00b7 El sistema y sus reglas<br \/>\nPANISELLO, Fabi\u00e1n \u00b7 Aksaks<br \/>\nPANISELLO, Fabi\u00e1n \u00b7 Cuadernos para orquesta<br \/>\nPANISELLO, Fabi\u00e1n \u00b7 Horn Concerto<br \/>\nPANISELLO, Fabi\u00e1n \u00b7 Mandala<br \/>\nPANISELLO, Fabi\u00e1n \u00b7 Movements for piano<br \/>\nPANISELLO, Fabi\u00e1n \u00b7 Le Malentendu Suite<br \/>\nPANISELLO, Fabi\u00e1n \u00b7 Violin Concerto<br \/>\nPANISELLO, Fabi\u00e1n \u00b7 Double-bell Trumpet Concerto<br \/>\nP\u00c4RT, Arvo \u00b7 Adam\u2019s Lament<br \/>\nPEROCCO, Filippo \u00b7 Altri corti<br \/>\nPOPPE, Enno \u00b7 Koffer<br \/>\nRAVEL, Maurice \u00b7 Bol\u00e9ro<br \/>\nREICH, Steve \u00b7 Variations for Winds, Strings and Keyboards<br \/>\nREICH, Steve \u00b7 Double Sextet<br \/>\nREICH, Steve \u00b7 City Life<br \/>\nRODRIGO, Joaqu\u00edn \u00b7 Concierto de Aranjuez<br \/>\nRUEDA, Jes\u00fas \u00b7 La tierra<br \/>\nSAARIAHO, Kaija \u00b7 Solar<br \/>\nSCELSI, Giacinto \u00b7 Quattro Pezzi su una nota sola<br \/>\nSCH\u00d6NBERG, Arnold \u00b7 Piano Concerto, Op. 42<br \/>\nSCH\u00d6NBERG, Arnold \u00b7 Five Pieces, Op. 16<br \/>\nSCH\u00d6NBERG, Arnold \u00b7 Das Buch der h\u00e4ngenden G\u00e4rten, arr. D\u00fcnser<br \/>\nSCH\u00d6NBERG, Arnold \u00b7 3 St\u00fccke, Op. 11, arr. D\u00fcnser<br \/>\nSCHUMANN, Robert\/RAVEL, Maurice \u00b7 Carnaval<br \/>\nSOTELO, Mauricio \u00b7 De imaginum, signorum, et idearum compositione II<br \/>\nSTOCKHAUSEN, Karlheinz \u00b7 Mixtur 2003<br \/>\nSTOCKHAUSEN, Karlheinz \u00b7 Hoch-Zeiten<br \/>\nSTRAVINSKY, Igor \u00b7 Monumentum<br \/>\nSTRAVINSKY, Igor \u00b7 Petrushka Suite<br \/>\nSTRAVINSKY, Igor \u00b7 The Firebird<br \/>\nSTRAUSS II, Johann \u00b7 Kaiserwalzer<br \/>\nVAR\u00c8SE, Edgard Ionisation<br \/>\nVIVALDI, Antonio \u00b7 Credo<br \/>\nWALTON, William \u00b7 Symphony No. 1<br \/>\nWEBERN, Anton \u00b7 Konzert, Op. 24<br \/>\nWEBERN, Anton\/BACH, Johann Sebastian \u00b7 Ricercare<br \/>\nWEBERN, Anton \u00b7 Symphony, Op. 21<br \/>\nWEBERN, Anton \u00b7 Variations for Orchestra, Op. 30<br \/>\nWEIL, Kurt \u00b7 Konzert f\u00fcr Violine und Blasorchester<br \/>\nWIDMANN, J\u00f6rg \u00b7 Labyrinth IV<br \/>\nXENAKIS, Iannis \u00b7 Anaktoria<br \/>\nXENAKIS, Iannis \u00b7 Metastaseis<br \/>\nXENAKIS, Iannis \u00b7 Palimpsest<br \/>\nZAMUSZKO, S\u0142awomir \u00b7 Kwiaty polskie[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; back_color=&#8221;color-lxmt&#8221; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; content_parallax=&#8221;0&#8243; uncode_shortcode_id=&#8221;765112&#8243; back_color_type=&#8221;uncode-palette&#8221;][vc_column column_width_percent=&#8221;100&#8243; position_horizontal=&#8221;left&#8221; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243; uncode_shortcode_id=&#8221;187520&#8243;][vc_custom_heading text_color=&#8221;color-197533&#8243; text_font=&#8221;font-667281&#8243; text_weight=&#8221;300&#8243; css_animation=&#8221;alpha-anim&#8221; animation_speed=&#8221;700&#8243; animation_delay=&#8221;400&#8243; uncode_shortcode_id=&#8221;194291&#8243; text_color_type=&#8221;uncode-palette&#8221;]Opera, theatre, and ballet repertoire[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;2&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; content_parallax=&#8221;0&#8243; uncode_shortcode_id=&#8221;100918&#8243; row_name=&#8221;obra&#8221;][vc_column column_width_percent=&#8221;100&#8243; position_horizontal=&#8221;left&#8221; gutter_size=&#8221;1&#8243; style=&#8221;light&#8221; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243; uncode_shortcode_id=&#8221;132463&#8243;][vc_column_text uncode_shortcode_id=&#8221;444461&#8243;]BENEDETTO, Andrea \u00b7 Medusa<br \/>\nCAMARERO, C\u00e9sar \u00b7 Instrucciones para dejarse caer al otro lado del vac\u00edo<br \/>\nD\u00cdAZ, Marius \u00b7 Las memorias del general Llorente<br \/>\nFELDMAN, Morton \u00b7 Neither<br \/>\nGHARIBIAN, Sevan \u00b7 Ant\u00edgona<br \/>\nLAMBERTINI, Marta \u00b7 \u00a1Oh eternidad!<br \/>\nPABLO, Luis de \u00b7 El Abrecartas<br \/>\nPANISELLO, Fabi\u00e1n \u00b7 Die Judith von Shimoda<br \/>\nPANISELLO, Fabi\u00e1n \u00b7 Le Malentendu<br \/>\nPANISELLO, Fabi\u00e1n \u00b7 Les Rois Mages<br \/>\nPANISELLO, Fabi\u00e1n \u00b7 L\u2019Officina della resurrezione<br \/>\nSINAN, Mark \u00b7 Dede Korkut[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; back_color=&#8221;color-lxmt&#8221; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; content_parallax=&#8221;0&#8243; uncode_shortcode_id=&#8221;765112&#8243; back_color_type=&#8221;uncode-palette&#8221;][vc_column column_width_percent=&#8221;100&#8243; position_horizontal=&#8221;left&#8221; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243; uncode_shortcode_id=&#8221;187520&#8243;][vc_custom_heading text_color=&#8221;color-197533&#8243; text_font=&#8221;font-667281&#8243; text_weight=&#8221;300&#8243; css_animation=&#8221;alpha-anim&#8221; animation_speed=&#8221;700&#8243; animation_delay=&#8221;400&#8243; uncode_shortcode_id=&#8221;954600&#8243; text_color_type=&#8221;uncode-palette&#8221;]Ensemble repertoire[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text uncode_shortcode_id=&#8221;156107&#8243;]ACOSTA, Erney \u00b7 Eleg\u00eda<br \/>\nADAMS, John \u00b7 Chamber Symphony<br \/>\nAD\u00c8S, Thomas \u00b7 Catch<br \/>\nAD\u00c8S, Thomas \u00b7 Court Studies from The Tempest<br \/>\nALIAJ, C\u00e9sar \u00b7 Diez miniaturas<br \/>\nALBRECHTSBERGER, Johann Georg \u00b7 Concertino<br \/>\nALSINA, Ariadna \u00b7 Errant Swam<br \/>\nANDREO G\u00c1ZQUEZ, Francisco Jos\u00e9 \u00b7 Fr\u00edo de L\u00edmites<br \/>\nANDREYEV, Samuel \u00b7 \u00c0 propos du concert de la semaine derni\u00e8re<br \/>\nANT\u00daNEZ, David \u00b7 Aura<br \/>\nAPERGHIS, Georges \u00b7 Trio<br \/>\nARIAS, Helga \u00b7 A Common Sense<br \/>\nARIZA, Javier \u00b7 The west end<br \/>\nARIZMENDI, Beatriz \u00b7 Ar\u00e1ntzazu<br \/>\nARROCHA, C\u00e9sar \u00b7 Rust<br \/>\nARSMENDI, Adina \u00b7 Cantos II<br \/>\nASKENAR, Rubens \u00b7 Left Ajar<br \/>\nAZEVEDO, Sergio \u00b7 Three American Portraits<br \/>\nBACH, Johann Sebastian \u00b7 Cantata del caf\u00e9 BWV 211<br \/>\nBACH, Johann Sebastian \u00b7 Concerto for two violins<br \/>\nBADALO, Diana \u00b7 Trigramas<br \/>\nBAUER, Ross \u00b7 Duotone<br \/>\nBENEDETTO, Andrea \u00b7 S\u00e9quence V de Sept crimes de l\u2019amour para conjunto instrumental (orquestaci\u00f3n de la obra hom\u00f3nima para voz, clarinete y percusi\u00f3n, op. 55 de G. Aperghis)<br \/>\nBENJAMIN, George \u00b7 Fantasia 7 after Henry Purcell<br \/>\nBENNETT, Ed \u00b7 Strange Friction<br \/>\nBERG, Alban \u00b7 Chamber Concerto<br \/>\nBERIO, Luciano \u00b7 Folk Songs<br \/>\nBERMEJO, Carlos \u00b7 Zement<br \/>\nBLARDONY, Sergio \u00b7 Y apenas paso la mano por el vac\u00edo<br \/>\nBORRED\u00c1, Adri\u00e1n \u00b7 El c\u00e1ntaro roto<br \/>\nBOULEZ, Pierre \u00b7 D\u00e9rive 1<br \/>\nBOULEZ, Pierre \u00b7 D\u00e9rive 2<br \/>\nBOULEZ, Pierre \u00b7 Le Marteau sans ma\u00eetre<br \/>\nCAMARERO, C\u00e9sar \u00b7 Abreviaturas CAMARERO, C\u00e9sar \u00b7 Afterimage<br \/>\nCAMARERO, C\u00e9sar \u00b7 Attraverso<br \/>\nCAMARERO, C\u00e9sar \u00b7 C\u00e1mara lenta<br \/>\nCAMARERO, C\u00e9sar \u00b7 Contornos entre la luz y la sombra<br \/>\nCAMARERO, C\u00e9sar \u00b7 Instrucciones para dejarse caer al otro lado del vac\u00edo (ballet)<br \/>\nCAMARERO, C\u00e9sar \u00b7 Viaje al interior de un segundo<br \/>\nC\u00c1NOVAS, Helena \u00b7 cada piedra es una isla<br \/>\nCARRE\u00d1O, Juan Pablo \u00b7 Mi fe naufraga<br \/>\nCARRETERO, Jes\u00fas \u00b7 Quantum<br \/>\nCARRO, Mario \u00b7 Transparencias<br \/>\nCARTER, Elliott \u00b7 A Mirror on Which to Dwell<br \/>\nCARTER, Elliott \u00b7 Triple Duo<br \/>\nCASABLANCAS, Benet \u00b7 Introducci\u00f3n, cadenza y aria<br \/>\nCASABLANCAS, Benet \u00b7 Epigrames<br \/>\nCASABLANCAS, Benet \u00b7 Quadern de Haikus<br \/>\nCASABLANCAS, Benet \u00b7 Tres peces per a grup instrumental<br \/>\nCASTILLO, Manuel \u00b7 Invocaci\u00f3n<br \/>\nCHARLES, Agust\u00edn \u00b7 Unstable Waves<br \/>\nCHARLES, Agust\u00edn \u00b7 Unstable Surface<br \/>\nCHARLES, Agust\u00edn \u00b7 Unstable Surface (Modular III)<br \/>\nCHEN MING \u00b7 Image and Emotion<br \/>\nCOUPERIN, Louis \u00b7 Suite in E minor. Pr\u00e9lude non mesur\u00e9<br \/>\nCRUZ GUEVARA, Juan \u00b7 Luce Gettata<br \/>\nCRUZ GUEVARA, Juan \u00b7 Mixtil\u00edneos II<br \/>\nDAVIDOVSKY, Mario \u00b7 Flashbacks<br \/>\nDE FALLA, Manuel \u00b7 Concierto para clave y cinco instrumentos<br \/>\nDE LA CRUZ, Zulema \u00b7 La colina del sol<br \/>\nDELGADO, Jes\u00fas Mar\u00eda \u00b7 Los b\u00e1rbaros<br \/>\nD\u00c9LANO, Luis \u00b7 La brujita de Loiza<br \/>\nDEMOC, Adri\u00e1n \u00b7 Kvarteto<br \/>\nDERBEZ, Marcela Rodr\u00edguez \u00b7 Ca\u00edda<br \/>\nWEN, Deqing \u00b7 The thrill of the steppe<br \/>\nD\u00cdAZ, Marius \u00b7 Aria of Koroglu<br \/>\nD\u00cdAZ, Marius \u00b7 S\u00e9quence VII de Sept crimes de l\u2019amour para conjunto instrumental (orquestaci\u00f3n de la obra hom\u00f3nima para voz, clarinete y percusi\u00f3n, op. 55 de G. Aperghis)<br \/>\nDOM\u00cdNGUEZ, Pablo \u00b7 Codex London<br \/>\nDOM\u00cdNGUEZ, Pablo \u00b7 Eleg\u00eda<br \/>\nDOM\u00cdNGUEZ, Pablo \u00b7 S\u00e9quence I de Sept crimes de l\u2019amour para conjunto instrumental (orquestaci\u00f3n de la obra hom\u00f3nima para voz, clarinete y percusi\u00f3n, op. 55 de G. Aperghis)<br \/>\nDONATONI, Franco \u00b7 Arp\u00e8ge<br \/>\nDONATONI, Franco \u00b7 Hot<br \/>\nDONATONI, Franco \u00b7 Ronda I<br \/>\nDONATONI, Franco \u00b7 Ronda II (Spice)<br \/>\nDONATONI, Franco \u00b7 Etwas Ruhiger im Ausdruck<br \/>\nDOZZA, Bruno \u00b7 Piccola serenata notturna<br \/>\nDUFOURT, G\u00e9rard \u00b7 L\u2019Origine du monde (Concierto para piano)<br \/>\nD\u00dcNSER, Richard \u00b7 Landschaft mit Regenbogen<br \/>\nDUR\u00c1N LORIGA, Javier \u00b7 Jabardillo<br \/>\nEISLER, Hanns \u00b7 H\u00f6lderlin-fragmente del &#8220;Hallywooder Liederbuch&#8221; (Bertolt Brecht)<br \/>\nE\u00d6TV\u00d6S, P\u00e9ter \u00b7 Harakiri<br \/>\nE\u00d6TV\u00d6S, P\u00e9ter \u00b7 Steine<br \/>\nE\u00d6TV\u00d6S, P\u00e9ter \u00b7 Octet Plus<br \/>\nELKANA,<br \/>\nERKOREKA, Gabriel \u00b7 Ametsak I and Ametsak II<br \/>\nKaiolan<br \/>\nESTELCHE, Israel L\u00f3pez \u00b7 Hidden dances<br \/>\nESTELCHE, Israel L\u00f3pez \u00b7 L\u00ednea quebrada<br \/>\nESTELCHE, Israel L\u00f3pez \u00b7 Hidden Dances I and II<br \/>\nESTRADA, I\u00f1aki \u00b7 Astiro<br \/>\nFALC\u00d3N, Jorge Fern\u00e1ndez \u00b7 Mil sue\u00f1os<br \/>\nFEDELE, Ivan \u00b7 Immagini da Escher<br \/>\nFEDELE, Ivan \u00b7 Imaginary Islands<br \/>\nFELDMAN, Morton \u00b7 The viola in my live<br \/>\nFERRANDO, Cosme \u00b7 PenT (a) one<br \/>\nFILIDEI, Francesco \u00b7 Finito ogni gesto<br \/>\nFONTCUBERTA, Carlos \u00b7 Perdi\u00e9ndose en el rumor de la memoria<br \/>\nFRANCESCONI, Luca \u00b7 A fuoco, 4\u00ba studio sulla memoria<br \/>\nFUENTES, Arturo \u00b7 Skifir<br \/>\nFURRER, Beat \u00b7 Still<br \/>\nGANDER, Bernhard \u00b7 Sch\u00f6ne Worte<br \/>\nGARC\u00c9S RAM\u00cdREZ, Erick \u00b7 +42\u00baC<br \/>\nGARC\u00c9S RAM\u00cdREZ, Erick \u00b7 Fragmentaci\u00f3n m\u00edstica<br \/>\nGARC\u00c9S RAM\u00cdREZ, Erick \u00b7 S\u00e9quence II de Sept crimes de l\u2019amour para conjunto instrumental (orquestaci\u00f3n de la obra hom\u00f3nima para voz, clarinete y percusi\u00f3n op, 55 de G. Aperghis)<br \/>\nGARC\u00cdA ABRIL, Ant\u00f3n \u00b7 Cuarteto de Agrippa<br \/>\nGARC\u00cdA, Jos\u00e9 Mar\u00eda \u00b7 Kair\u00f3s, el surco del tiempo<br \/>\nGARC\u00cdA, Marc \u00b7 Plastic Trio<br \/>\nGARCIA TOM\u00c1S, Raquel \u00b7 Turquesa<br \/>\nGAUSSIN, Allain \u00b7 Eau Forte<br \/>\nGEDIZLIOGLU, Zeynep \u00b7 YOL<br \/>\nGENDELMAN, Mart\u00edn \u00b7 imbalance<br \/>\nGHARIBIAN, Sevan \u00b7 Arcade<br \/>\nGHARIBIAN, Sevan \u00b7 Five Moons<br \/>\nGHARIBIAN, Sevan \u00b7 Flows &amp; Flexions<br \/>\nGHARIBIAN, Sevan \u00b7 Rum\u016bz<br \/>\nGHARIBIAN, Sevan \u00b7 S\u00e9quence IV de Sept crimes de l\u2019amour para conjunto instrumental (orquestaci\u00f3n de la obra hom\u00f3nima para voz, clarinete y percusi\u00f3n, op. 55 de G. Aperghis)<br \/>\nGERHARD, Roberto \u00b7 Libra<br \/>\nGIGER, Jannik \u00b7 Enga<br \/>\nGIGER, Jannik \u00b7 Verstimmung<br \/>\nGOLIJOV, Osvaldo \u00b7 Ayre<br \/>\nGONZ\u00c1LEZ, Jos\u00e9 Benjam\u00edn \u00b7 Cives aetherei<br \/>\nGRAHAM, Peter \u00b7 Fragment II<br \/>\nGRECO, Jos\u00e9 Luis \u00b7 The Last Bohemian<br \/>\nGRECO, Jos\u00e9 Luis \u00b7 Time Between<br \/>\nGRIBBIN, Deirdre \u00b7 To Bathe Her Body in Whiteness<br \/>\nGRISEY, G\u00e9rard \u00b7 Talea<br \/>\nGRISEY, G\u00e9rard \u00b7 Vortex temporum<br \/>\nGRIBBIN, Deirdre \u00b7 To bathe her body in whiteness<br \/>\nGUBAID\u00daLINA, Sofia \u00b7 Tr\u00edo de cuerda<br \/>\nGUARNIERI, Adriano \u00b7 Al crepitio del sole<br \/>\nGUERRERO, Francisco \u00b7 Concierto de c\u00e1mara<br \/>\nGUIX, Josep Maria \u00b7 Com un n\u00favol lleuger<br \/>\nHAAS, Georg Friedrich \u00b7 Anachronism<br \/>\nHAAS, Georg Friedrich \u00b7 La profondeur<br \/>\nHAAS, Georg Friedrich \u00b7 Tria ex uno<br \/>\nHALFFTER, Crist\u00f3bal \u00b7 Antiphonismoi<br \/>\nHALFFTER, Ernesto \u00b7 Hommages<br \/>\nHENDRICH, Hanspeter \u00b7 Droworb<br \/>\nHINDEMITH, Paul \u00b7 Kammermusik Nos. 1, 2, and 3<br \/>\nHOLLIGER, Heinz \u00b7 Ma&#8217;mounia<br \/>\nH\u00d6LLER, York \u00b7 Crossing<br \/>\nHOSOKAWA, Toshio \u00b7 Drawing<br \/>\nHUMET, Ramon \u00b7 En el bosc profund<br \/>\nHUMET, Ramon \u00b7 El jard\u00edn de Kinko<br \/>\nIBARRONDO, F\u00e9lix \u00b7 Handikoak<br \/>\nITOH, Hiroyuki \u00b7 In the Dim Light<br \/>\nJAGGI, Martin \u00b7 Enga<br \/>\nJARRELL, Michael \u00b7 Resurg\u00e9nces<br \/>\nJIM\u00c9NEZ TAMAME, Miguel \u00b7 About blood pulse and misty minds<br \/>\nJOANNOU, El\u00edas \u00b7 Auto post<br \/>\nKAGEL, Mauricio \u00b7 Eine Brise<br \/>\nKAWAKAMI, Noriko \u00b7 Blick<br \/>\nKERER, Maria \u00b7 Zersplittern<br \/>\nKILAR, Wojciech \u00b7 Orawa<br \/>\nKISHINO, Malika \u00b7 vers le ciel<br \/>\nKNOX, Garth \u00b7 Wild Animals<br \/>\nKR\u00d6PFL, Francisco \u00b7 Quel tempo<br \/>\nKRUGER, Matthias \u00b7 The machinery I have made<br \/>\nKURT\u00c1G, Gy\u00f6rgy \u00b7 Brefs Messages<br \/>\nKURT\u00c1G, Gy\u00f6rgy \u00b7 Messages of Late R. V<br \/>\nKURT\u00c1G, Gy\u00f6rgy \u00b7 Troussava<br \/>\nLANCHARES, Santiago \u00b7 Cuento de oto\u00f1o<br \/>\nLANGLOTZ, Lukas \u00b7 Sely\u00fa<br \/>\nLAVISTA, Mario \u00b7 Marsias<br \/>\nLAZKANO, Ram\u00f3n \u00b7 Egan 2<br \/>\nLEROUX, Philippe \u00b7 Envers IV<br \/>\nLEVINAS, Micha\u00ebl \u00b7 D\u00e9sinences<br \/>\nLLUS\u00c1-DAMIANI, \u00c1lvar \u00b7 Ikeru<br \/>\nL\u00d3PEZ L\u00d3PEZ, Jos\u00e9 Manuel \u00b7 A tempo<br \/>\nL\u00d3PEZ L\u00d3PEZ, Jos\u00e9 Manuel \u00b7 L\u2019Art de la sieste et autres plaisirs po\u00e9tiques<br \/>\nL\u00d3PEZ L\u00d3PEZ, Jos\u00e9 Manuel \u00b7 Jenseits\u2026 Diesseits<br \/>\nL\u00d3PEZ L\u00d3PEZ, Jos\u00e9 Manuel \u00b7 La casa de las cig\u00fce\u00f1as<br \/>\nL\u00d3PEZ L\u00d3PEZ, Jos\u00e9 Manuel \u00b7 La pluma de Hu<br \/>\nL\u00d3PEZ L\u00d3PEZ, Jos\u00e9 Manuel \u00b7 Le parfum de la lune<br \/>\nL\u00d3PEZ L\u00d3PEZ, Jos\u00e9 Manuel \u00b7 Rhea<br \/>\nLUTOSLAWSKI, Witold \u00b7 Dance Preludes<br \/>\nLUTOSLAWSKI, Witold \u00b7 Grave<br \/>\nLUTOSLAWSKI, Witold \u00b7 Sacher Variation<br \/>\nMALDONADO, Javier Torres \u00b7 Figuralmusik I<br \/>\nMANTOVANI, Bruno \u00b7 D\u2019un r\u00eave parti<br \/>\nMARCO, Tom\u00e1s \u00b7 Albor<br \/>\nMARCO, Tom\u00e1s \u00b7 Deux ex bachina<br \/>\nMARCO, Tom\u00e1s \u00b7 Mientras el tiempo como m\u00fasica suena<br \/>\nMARCO, Tom\u00e1s \u00b7 Noche de ardiente soledad sonora<br \/>\nMARIN\u00c9, Sebasti\u00e1n \u00b7 Agrait<br \/>\nMATAL\u00d3N, Martin \u00b7 Trame VIII<br \/>\nMAXWELL DAVIES, Peter \u00b7 Fantasia and Two Pavanes<br \/>\nMAXWELL DAVIES, Peter \u00b7 Image Reflection Shadow<br \/>\nMEDEK, Ivo \u00b7 Shades of Silence<br \/>\nMENDOZA, Elena \u00b7 Relato improbable<br \/>\nMERNIER, Beno\u00eet Les Niais de Sologne<br \/>\nMESSIAEN, Olivier \u00b7 Mode de valeurs et intensit\u00e9s<br \/>\nMOCHIZUKI, Misato \u00b7 Voilages<br \/>\nMOLINER, David \u00b7 Estructura IV<br \/>\nMOLINER, David \u00b7 Un Magnetar&#8230; Magnetische Episoden<br \/>\nMURAIL, Tristan \u00b7 La barque mystique<br \/>\nMURAIL, Tristan \u00b7 Treize couleurs du soleil couchant<br \/>\nNODAIRA, Ichiro \u00b7 Quatuor en hiver<br \/>\nNODAIRA, Ichiro \u00b7 Une autre lune<br \/>\nNOVOA, Brais \u00b7 Reflejos rotos<br \/>\nN\u00da\u00d1EZ, C. \u00b7 Landscape<br \/>\nN\u00da\u00d1EZ, Adolfo \u00b7 Recorridos<br \/>\nO\u2019CONNELL, Kevin \u00b7 Little Overture<br \/>\nO\u2019LEARY, Jane \u00b7 Between two waves of the sea<br \/>\nOLAVIDE, Gonzalo de \u00b7 Varianza<br \/>\nORTIZ SERRANO, Rodrigo \u00b7 Effect 6.4956441<br \/>\nDE PABLO, Luis \u00b7 Dibujos<br \/>\nDE PABLO, Luis \u00b7 Ep\u00edstola al transe\u00fante<br \/>\nDE PABLO, Luis \u00b7 Nubilus<br \/>\nDE PABLO, Luis \u00b7 Met\u00e1foras<br \/>\nDE PABLO, Luis \u00b7 Nonetto<br \/>\nDE PABLO, Luis \u00b7 Pentinenta<br \/>\nDE PABLO, Luis \u00b7 Pocket Zarzuela<br \/>\nPANISELLO, Fabi\u00e1n \u00b7 \u00e0 5<br \/>\nPANISELLO, Fabi\u00e1n \u00b7 Antiphonae para cuarteto de saxofones<br \/>\nPANISELLO, Fabi\u00e1n \u00b7 L\u2019\u00e2ge de la raison<br \/>\nPANISELLO, Fabi\u00e1n \u00b7 Chamber Concerto<br \/>\nPANISELLO, Fabi\u00e1n \u00b7 Cinco piezas m\u00e9tricas<br \/>\nPANISELLO, Fabi\u00e1n \u00b7 L\u2019ineluttabile destino di ogni cosa<br \/>\nPANISELLO, Fabi\u00e1n \u00b7 Libro del Fr\u00edo<br \/>\nPANISELLO, Fabi\u00e1n \u00b7 Meister Eckhart: Mystical Song<br \/>\nPANISELLO, Fabi\u00e1n \u00b7 Shifting Mirrors<br \/>\nPANISELLO, Fabi\u00e1n \u00b7 Solstice<br \/>\nPANISELLO, Fabi\u00e1n \u00b7 Three movements for string quartet<br \/>\nPARIS, Fran\u00e7ois \u00b7 \u00c0 propos de Nice<br \/>\nPARIS, Fran\u00e7ois \u00b7 Settembre<br \/>\nPARIS, Fran\u00e7ois \u00b7 Tic Tac Parc<br \/>\nPARRA, H\u00e9ctor \u00b7 Stress Tensor<br \/>\nPER\u00d3N, Carlos \u00b7 Bit\u00e1cora<br \/>\nPING, Jin \u00b7 Southern Air II<br \/>\nPOSADAS, Alberto \u00b7 Nebmaat<br \/>\nPOSADAS, Alberto \u00b7 Tres pinturas imaginarias<br \/>\nQIN, Wenchen \u00b7 Yao<br \/>\nQUISLANT, Javier \u00b7 Nun<br \/>\nRADFORD, Laurie Reson II<br \/>\nRADVILOVICH, Alexander \u00b7 Shoah<br \/>\nRIHM, Wolfgang \u00b7 Sphere um Sphere<br \/>\nROMAN, Antonio \u00b7 Homenaje a Bartok<br \/>\nROMITELLI, Fausto \u00b7 La sabbia del tempo<br \/>\nROMITELLI, Fausto \u00b7 The Poppy in the Cloud<br \/>\nRUEDA, Jes\u00fas \u00b7 Sinamay<br \/>\nRUEDA, Jes\u00fas \u00b7 Itaca<br \/>\nRUEDA, Jes\u00fas \u00b7 Conciertos de c\u00e1mara Nos. 2 and 3<br \/>\nRUEDA, Jes\u00fas \u00b7 Sensibility<br \/>\nSAINT-SA\u00cbNS, Camille \u00b7 The Carnival of the Animals<br \/>\nSAKAI, Kenji \u00b7 La naranja atraviesa la noche<br \/>\nS\u00c1NCHEZ VERD\u00da, Jos\u00e9 Mar\u00eda \u00b7 Concierto de c\u00e1mara n.\u00ba 2<br \/>\nS\u00c1NCHEZ VERD\u00da, Jos\u00e9 Mar\u00eda \u00b7 Machaut-Architektur 2<br \/>\nS\u00c1NCHEZ VERD\u00da, Jos\u00e9 Mar\u00eda \u00b7 Arquitecturas del L\u00edmite<br \/>\nSanchez-Gutierrez, Carlos \u00b7 Luci\u00e9rnagas<br \/>\nSCELSI, Giacinto \u00b7 Khoom<br \/>\nSCELSI, Giacinto \u00b7 Pranam II<br \/>\nSCH\u00d6NBERG, Arnold \u00b7 Kammersymphonie op. 9<br \/>\nSCH\u00d6NBERG, Arnold \u00b7 Ode to Napoleon op. 41<br \/>\nSCH\u00d6NBERG, Arnold \u00b7 Pierrot Lunaire<br \/>\nSCIARRINO, Salvatore \u00b7 Centauro Marino<br \/>\nSCIARRINO, Salvatore \u00b7 Lo spazio inverso<br \/>\nSHEETS, Zach \u00b7 from cairn terrain<br \/>\nSMITH, Linda Catlin \u00b7 Gold Leaf<br \/>\nSOBIN, Sergej \u00b7 Gnat<br \/>\nSOKOLOVI\u0106, Ana \u00b7<br \/>\nSOLARE, Juan Mar\u00eda \u00b7 Anamnesis<br \/>\nSOUTULLO, Eduardo \u00b7 Unfolding\/Reload<br \/>\nSTAUD, Johannes Maria \u00b7 Configurations\/Reflet<br \/>\nSTRAVINSKY, Igor \u00b7 Berceuses du chat<br \/>\nSTRAVINSKY, Igor \u00b7 Concierto para dos pianos<br \/>\nSTRAVINSKY, Igor \u00b7 Historia de un Soldado<br \/>\nSTRAVINSKY, Igor \u00b7 Renard<br \/>\nSTRAVINSKY, Igor \u00b7 Pribaoutki<br \/>\nSTRAVINSKY, Igor \u00b7 Trois po\u00e9sies de la lyrique japonais<br \/>\nSTRAVINSKY, Igor \u00b7 2 Po\u00e8mes de Balmont<br \/>\nTANADA, Fuminori \u00b7 Sommerwind<br \/>\nTARNOPOLSKI, Alexander \u00b7 Eindruck-Ausdruck III<br \/>\nTARNOPOLSKI, Alexander \u00b7 Das alte Jahr vergangen ist. Variationen uber einen Choral von J. S. Bach<br \/>\nTIAN, Leilei \u00b7 The Hymn of the Pearl<br \/>\nTIZ\u00d3N, Laura \u00b7 Noesis 05<br \/>\nTORRES, Jes\u00fas \u00b7 Altera bestia<br \/>\nTORRES, Jes\u00fas \u00b7 Fugace<br \/>\nTORRES, Jes\u00fas \u00b7 Episodios<br \/>\nTORRES, Jes\u00fas \u00b7 Oda<br \/>\nTORRES, Jes\u00fas \u00b7 Pentesilea<br \/>\nTULVE, Helena \u00b7 Obra por determinar<br \/>\nTURINA, Jos\u00e9 Luis \u00b7 Kammerconcertante<br \/>\nTURINA, Jos\u00e9 Luis \u00b7 Scherzo para un hobbit<br \/>\nTURINA, Jos\u00e9 Luis \u00b7 T\u00famulo de la mariposa<br \/>\nTURINA, Jos\u00e9 Luis \u00b7 Variaciones sobre dos temas de Scarlatti<br \/>\nUNDERHILL, Owen \u00b7 Sakalaka<br \/>\nVADILLO, Eneko \u00b7 Entrelacs<br \/>\nVADILLO, Eneko \u00b7 Sarab<br \/>\nVADILLO, Eneko \u00b7 Selene<br \/>\nVAJDA, Gregory \u00b7 From Left to Right-Remix<br \/>\nVALLEJO, Polo \u00b7 Obra<br \/>\nVAR\u00c8SE, Edgard \u00b7 Octandre<br \/>\nVASSENA, Nadir \u00b7 Materia Oscura<br \/>\nV\u00c1ZQUEZ, Aitor \u00b7 Credo<br \/>\nVIERA, Julio Mart\u00edn \u00b7 8 Haikus de Borges<br \/>\nVIERA, Julio Mart\u00edn \u00b7 Pierrot en el Bosque<br \/>\nVIERA, Julio Mart\u00edn \u00b7 Polifon\u00edas sobre un cantus firmus<br \/>\nWEN, Deqing \u00b7 Divination<br \/>\nWEN, Deqing \u00b7 Ronde des Pagodes<br \/>\nWIDMANN, J\u00f6rg \u00b7 Labyrinth IV<br \/>\nWOZNY, Joanna Von \u00b7 Verschwinden einer Landschaft<br \/>\nYEDID, Yitzhak \u00b7 Kadosh Kadosh and Cursed<br \/>\nYOSHIMATSU, Takashi \u00b7 Concerto &#8220;Cyber bird&#8221; for saxophone and piano<br \/>\nYUHAS, Dan \u00b7 Collisions<br \/>\nYUHAS, Dan \u00b7 Flashes<br \/>\nYUHAS, Dan \u00b7 Tenuot<br \/>\nYUHAS, Dan \u00b7 Repercussions for horn and ensemble<br \/>\nZAMUSKO, Stawomir The Polish Flowers<br \/>\nZAVALA, Mercedes \u00b7 Cual (Un ciervo en el desv\u00e1n)<br \/>\nZAVALA, Mercedes \u00b7 Plural Endings<br \/>\nZAVALA, Mercedes \u00b7 Variaciones en blanco[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row row_height_percent=&#8221;0&#8243; back_color=&#8221;color-lxmt&#8221; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; content_parallax=&#8221;0&#8243; uncode_shortcode_id=&#8221;765112&#8243; back_color_type=&#8221;uncode-palette&#8221;][vc_column column_width_percent=&#8221;100&#8243; position_horizontal=&#8221;left&#8221; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":146166,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-147816","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>FABI\u00c1N PANISELLO - Repertoire<\/title>\n<meta name=\"description\" content=\"Fabi\u00e1n Panisello es compositor, director y profesor conocido internacionalmente en la escena de la m\u00fasica contempor\u00e1nea por la alta calidad de su obra. 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